Pursued by the mob of townspeople
and the shaky glow of their torches,
he finds refuge crouching under a mossy bridge.
He takes a notepad from his huge jacket
and feels inspiration arriving
like a forking of electricity.
He fingers one of the wooden pegs
the doctor tapped into his temples,
little handlebars of the imagination now,
and his pencil moves in the darkness
to a jostling of vocabulary.
He is starting to write an elegy
for all the people whose bodies
are now parts of his body.
It opens with the eyes.
A professor of writing once told his class that a good project would be to write a sonnet every day for a year. It was absolutely impossible, he said, to write 365 bad sonnets in a row. I've always wondered if he was right.
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